This was a relatively easy decision. I already knew that I wanted to work with colours that make a striking contrast between light and dark. I didn’t want colours that had too much range and were likely to be miss read. Think of all the different shades and tones of pink! At some point I think my hair has probably been most of those!
When making colour choices I often look to the subject matter for inspiration, but with the smocks I had already done that in Part 2 and after looking at colour palettes in far more detail in part 3 I thought I might look further for inspiration.
This I duly did until it just became evident to me that the best colours to create the perfect contrast were black and white. Not the most exciting but it feels right.
So I had a little look round Pinterest and found 3 that I think use black and white to great effect:
Firstly Dianne Firth, this master art quilter lives in Australia and makes beautiful quilts using very limited colour palettes and strong solid shapes.
I’m also very taken with Marina Kamenskaya and this beautiful quilt of horizontal lines, they make me think of Kandinsky and the mighty Joan Miro. Such wonderful artists that were able to make sense of their worlds by stripping back to the bare lines, highlights and shadows.
Finally I’ve been drawn to the work of Elizabeth Barton and particularly this piece that uses black and white to great effect. I really like this but I do think it’s drawing me back into a more detailed approach and not the bold repetitive effect that I am looking for.
Red and yellow are often used as the contrasts for black and white and they work very well being good primary colours. So just to bring a little variety I have decided to use blue, the other primary colour with yellow.
I’m going to be working on my capsule collection during the winter months and black, white, blue and a flash of yellow feel like the perfect colours for dark nights and short days of frost, blue skies and sharp sun.